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this week

Autumn has most definitely arrived in Tasmania. We woke up to snow on the mountain on Wednesday, and while I sipped this glass of Chardonnay, as it was a warm afternoon, yellow and rust-coloured leaves danced on the pavement outside in the breeze.

Favourite experience/s of the week

I’m an unofficial writer in residence at an old building in the city - the same building my main character lived and worked in in the 1820s - and spent a happy afternoon there working on my book. Afterwards, I met a friend for a wine and long overdue in-person catchup. We met at a media launch in 2019 and might have had every reason to lose touch because of the pandemic, but regardless of everything she’s had going on, she’s made time for me regularly over the last few years and that warms my heart no end.

I also loved being on campus this week for International Women’s Day where our school had an afternoon tea for staff and HDRs and it felt so wonderful to see people in the flesh again after so long. The campus feels alive again, in a way I haven’t witnessed for three years now…almost to the day.

I had a pretty good run on Thursday too, the morning after overnight rain. The smell of wet gum leaves was quite incredible, not to mention mind clearing.

Another of the week’s highlights was going round to spend an evening with my sister and her family. Her daughter, who is three, utterly adorable and heavily into Frozen, sang us most of the soundtrack. I held back tears watching her sing (and take a bow at the end as we applauded!) - not just because she’s so sweet and expressive, but her innocence, the complete innocence of all young children, just undoes me.

Reading

I adored Minnie Darke’s latest contemporary romance With Love From Wish & Co - as she’s a Tasmanian writer, the setting always feels quite Hobart (and therefore very cosy) to me. This was a delightful escapist read - Marnie is a young entrepreneur desperate to buy back her grandfather’s old store, currently in the hands of her cold and distant uncle with a grudge against her deceased father. She makes a career-ruining mistake with one of her best clients, throwing his 40-year marriage into jeopardy. He offers to help her try to buy back the family store, if she will work her magic and help him win his wife back. It’s whimsical and full of heart, and I just loved it.

A wonderful interview on Kate Forsyth’s website with the writer Alison Croggon, whom I always knew as the blogger behind theatre notes, a popular and acclaimed Australian theatre blog in the 2000s. I loved it when I lived in Melbourne and I loved it when I lived abroad, it helped me keep a somewhat steady finger on my country’s cultural pulse. I am so intrigued now to read her latest book, a hybrid memoir called Monsters. A lot of what Alison said in the interview I can really relate to. I think a book similar to hers might be in my writing future!

Lit Hub: Clare Pooley on Writerly Perseverance and Knowing When To Give Up and I’m also a subscriber to LitHub’s wonderful newsletter The Craft of Writing which this week featured one of my favourite writers, Xiaolu Guo on translating the self. I adore anything Guo writes and was intrigued to hear that this was an excerpt from a forthcoming anthology, Letters to a Writer of Color edited by Deepa Anappara and Taymour Soomro. Having looked at the contents and contributor list, I am so curious to read this once it’s out!

I absolutely devoured Julietta Singh’s No Archive Will Restore You in barely a day. One of my supervisors got me on to a fascinating hybrid genre of thought experiments centred around the theme of the archives - works that blend memoir, poetry, historiography and essay. This book is one of them and is so personal yet also embedded in the literature and theory of the body, subjectivity, and identity. Singh considers her body, aware of it “as both archive and archivist” (p.32), and poetically catalogues its legacies of pain, sexuality and desire, the “feral moan of childbirth” (p.70), identity and race, and finally, the unconscious, the “the most evasive archive of all” (p.97). It reminded me that our bodies hold historical traces of everything that has happened to them, everything that has gone in and come out. We are everything we have experienced. I found it absolutely fascinating and quite unputdownable. And I love the sound of the publisher, punctum books, too, for their tagline is spontaneous acts of scholarly combustion.

A favourite poem.

The Thesis Whisperer: Preparing for a binge-writing session (this will be me very soon) - I highly recommend this website to all PhD candidates. I subscribed to it perhaps in my very first week back in 2019 and Inger’s generous wisdom has been very reassuring over the years!

Sydney Review of Books: Jessie Cole on Art as Love

Finally - OMG, I cannot wait for this book! And this one!

Listening to

My nouveau pour l’écriture playlist

Katie Wighton’s new single Narcissist - absolute banger of a track and great official video too!

Tom and I have been working with our friend and indie Melbourne musician Mezz Coleman on her forthcoming album release - the first single has dropped and it’s amazing! We’re pretty proud of the artwork, I took the photo and Tom did the rest!

How to Fail: Rick Astley - really enjoyed this interview with an icon of 1980s music who would have every reason in the world to have a big head but he really doesn’t. Also Margaret Atwood on wisdom, witchcraft and womanhood - any interview with Margaret is bound to be wonderful, I listened to this one on my run and felt her strength push me on, up the inclines.

Best Friend Therapy - Inside the therapy room - what it’s like to be a therapist, how to find a good one and lots more.

Picking

Our neighbour texted me to say come round, pick whatever I wanted - I didn’t need to be asked twice! I came round with a small bowl, which she took one look at and replied, “go home and get a bigger bowl!” She very kindly gave me some 4kg of tomatoes, some zucchini and cucumbers, as well as a bag of rocket and dill.

I picked some of my own zucchini (the only one left that the possums hadn’t got at! Well, I hope it’s possums. The other possibility is too ghastly to contemplate), silverbeet, rhubarb and strawberries. The wind picked a lemon for me! And I picked all the ripe figs on my tree and left them on my neighbour’s doorstep. A few days later, more have ripened.

Eating

Rather than preserve all the tomatoes my neighbour gave me, I’m trying to cook with them all instead. Hence, our diets will be quite high in lycopene for the forseeable!

I made this Nigel Slater tomato pasta recipe but I found it a bit…grassy. I think that was my olive oil! The grassiness was remedied by plenty of nutritional yeast.

I also made Nigel’s tomatoes and couscous recipe from his A Cook’s Book which I ended up making with rice instead of couscous because I didn’t have enough….and only checked this once I had embarked upon the roasting of the tomatoes. I will never learn. But the citrus spiced rice from Elly Pear’s Green was a lovely accompaniment - and the citrus was my lemon from my own tree. Though I’m not sure how the recipe is meant to serve 6-10. It served me and Tom, with no leftovers!

Two more recipes from Elly Pear’s Green cookbook for seasonal produce - Piedmont peppers (red capsicums stuffed with tomatoes and garlic, and roasted) and zucchini agrodolce. Both eaten with rocket salad and bread for lunch.

My zucchini and butter bean soup, the perfect vehicle for the giant, more marrow-like zucchini and all the lovely soft herbs from my neighbour’s garden. The green chilli I used was from a bag in the freezer of chillies my lovely beautician Lisa gave me last autumn!

Some lovely Deliciously Ella recipes including a sweet potato and lentil stew and a tofu chickpea korma.

An epic lasagna made from ragu I had in the freezer from last year, and we made the pasta dough fresh using this recipe. This fed us for three dinners and reminded me of how delicious and comforting lasagna is - I must make it again very soon!

A three-fruit crumble made with rhubarb and strawberries from my garden, and apples from my aunt’s garden. Eating it reminded me that there are many consolations of it getting colder and darker.

The Full Vegan of course made an appearance at the weekend, with sausages, and I managed to have one of my favourite silken tofu bowls on a less cold morning!

Lots of plans for the rest of the tomatoes in the coming week - including a tomato and cashew pilaf which I’ve cooked before and really enjoyed. Though, after reading quite a bit of Nigel Slater, I am now of course craving potatoes and wishing those were ready in my garden right now. I suspect I will have to wait a few more weeks at least.

Drinking

Quite a bit of Chardonnay.

I also had the most incredible cold drink at Hobart institution (and all vegan, I was surprised to learn!) Bury Me Standing - the Grandma Barb, which is iced coffee with vanilla. It sounds simple but it was like drinking a (I want to say warm, but it was iced!) hug. Tom tasted it and immediately regretted not getting one too!

Watching

We decided to go with an absurdist theme for our weekend viewing, and started with Noah Baumbach’s adaptation of Don DeLillo’s White Noise (Netflix). Personally I can never resist a Greta and Noah film, regardless of who’s directing or acting - I know it will make me think and laugh. I studied White Noise as an undergrad and was surprised by how much I loved it (a rare thing for assigned texts, I found). Having not read the book since I was 18, I was intrigued to see how much of it I’d remember.

Set in 1984, White Noise centres around Jack Gladney, a professor of Hitler Studies (a field of study he invented, his colleague wants to do the same with Elvis Presley) at a small college, who lives with his wife Babette and their blended family - it’s the fourth marriage for both. Almost immediately, the film’s themes of consumerist domination of our culture and fear of death are apparent - the supermarket is a central setting for many key scenes, bright and dazzling and confusing, urging people to buy now, buy more. Jack and Babette (played brilliantly by Adam Driver and Greta Gerwig) have their idiosyncrasies and quirks, but mostly their life with their startlingly mature and insightful children is quite idyllic. This is shattered by an “air-borne toxic event” - a train collision with an oil tanker releases toxic chemicals into the air near their town (scarily quite similar to the Ohio train derailment which happened just last month) and they must evacuate their home. Almost instantly, we see the children remaining calm and more knowledgeable about what is going on while the adults panic, finding they can no longer contain their deep fears about death and struggle to cope with the impending doom. It turns out much has been going on for Jack and Babette without the other knowing.

It’s (unsurprisingly) noisy, hard to follow at times, funny, moving, well acted and terrifyingly prescient in some respects. Most of all, it’s about how we try to keep the chaos of life, and our fears of death, large-scale ruin and destruction, at bay by filling our lives with, you guessed it, white noise. And shopping.

“Well, if you liked that, you will have no trouble following tomorrow’s film,” Tom remarked as the end credits rolled!

Everything Everywhere All At Once (4K BluRay) was one of the most creative, mind-bending films I’ve possibly ever seen. It’s weird, daring, fantastical, and very funny but its beating heart is the universal search for love, belonging and meaning. I absolutely loved it.

Evelyn Quan Wang (played by Michelle Yeoh) is a middle-aged immigrant whose life is both mundane and spinning out of control. She runs a laundromat with her husband, Waymond (Ke Huy Quan) who feels increasingly lonely and disconnected from his wife, even going so far as to prepare divorce papers. Two decades prior, they were full of hope and passion, for life and each other, when they eloped to the United States where their daughter, Joy (Stephanie Hsu), was born. Life in the US has entailed a lot of hard work and sacrifice for them both, and now they are being audited by the IRS - something that would give anyone anxiety and sleepless nights. To top it off, Evelyn’s father (James Hong) is visiting for the first time in years which is also putting the family on edge.

Not quite the setting for an epic kung-fu adventure in the multiverse, right? WRONG.

From hotdog fingers, to googly-eyed rocks, the everything Bagel and some impressive martial arts, this is a film that is not only visually stunning and imaginative, but it embraces its wackiness and takes the audience along for the ride. You can tell that every member of the cast had a ball being involved. It’s worth watching for Jamie Lee Curtis alone, who is almost unrecognisable and incredibly funny. We’ve all known a Deirdre. And even she is humanised!

Everything is put together with care and passion, and the performances, particularly Michelle Yeoh’s, are just stunning. Underneath all the dazzling visuals and kooky-ness of the parallel universes is a simple story of a family struggling to connect with each other. It’s about living with regrets, unmet needs, dreams you didn’t dare to have. It’s about how love and kindness are so very healing.

Ann Lee at The Guardian has discussed why it deserves Best Picture at the Oscars and I also enjoyed seeing a therapist decode and react to the film. UPDATE: It cleaned up at the Oscars, and most deservedly so!

What else have we watched - we finished Season 5 of The Crown (Netflix), which was gripping and addictive, particularly as we’re now in the era we remember. I wasn’t convinced by all of the cast changes but Imelda Staunton as the Queen and Elizabeth Debicki as Diana were very convincing. We’re also re-watching the last season of Succession (Binge) so we’re ready for when the final season drops in a few weeks!

Wearing/using

LUSH’s latest shower gel Sticky Dates which smells like toffee and vanilla. Perfect for autumn, I love it!

Jeans, for the first time all year.

Quote of the week

Courtesy of some hard rubbish that was on our street! It felt poignant and poetic, and like a sign from the Universe.

All we have is now.

If you’d like to share your thoughts on this post, or anything else, with me, please do!

I hope you’re also finding things in your world to savour, that give you joy, that make you think and smile.

Please note: this blog post has affiliate links with retailers such as Booktopia which means I may receive a commission for a sale that I refer, at no extra cost to you.

that's where the donuts come in

Some rather spectacular donuts at Bread Ahead in Old Street, London. When it was a choice between cold pizza or one of these for breakfast on Saturday, I chose the custard donut.

Some rather spectacular donuts at Bread Ahead in Old Street, London. When it was a choice between cold pizza or one of these for breakfast on Saturday, I chose the custard donut.

I have gotten to know a lot of writers and I know now we’ve all been there. Not the same thing at the same time, but the truth is always there: sometimes it’s so hard, and you really don’t know how to make your work work, and it feels like months or years of may have been wasted and you continue to be, beyond all heroic efforts, right smack in the middle of the job, rather than at the end, as you had so brightly hoped.
People will tell you that you need a thick skin to be a writer, what with all that disappointment and rejection, but I think part of what makes a good writer is the ability to be porous, to be able to feel all the intricate and complicated notes, the particular music of each moment. No writer should turn the volume down on her own emotional register. That’s her instrument. We have to feel everything. Which also sucks. That’s where the donuts come in.

Excerpt from a brilliant article by Ramona Ausubel on LitHub, which I highly recommend reading in its entirety.