jean lucey pratt

how to start journalling (and make it a habit)

I have been journaling for 1,243 mornings straight… (since 20 December 2019)

I get asked about journalling quite a lot. So I thought it was time I wrote a blog post about it - so if this is your bag, strap yourself in, get a cup of tea and enjoy one of my famous long reads!

my journalling habit

I started journalling (or “keeping a diary” as I called it) regularly in 1991 several months before my tenth birthday, and I continue to this day - in fact, right now I am a more regular and prolific journal-keeper than I ever have been.

I started writing Morning Pages daily at the end of 2019, a few months in to my PhD studies. Morning Pages are a practice that involves filling three pages (no more, no less) with whatever it is you’re thinking, stream-of-consciousness style, first thing every day. You should feel free to write whatever you want because in theory no one is ever going to read it, not even you. It’s simply a way of emptying your mind of the dross so that if you want to do some creative work, your mind won’t be preoccupied with the usual things it latches on to, preventing you from doing some deep thinking and creating.

I wasn’t new to the concept - I had done Morning Pages for a few months here and there over the years, but this time I really stuck with it. I’m not sure what it was about this time. Perhaps it was everything that happened at the start of 2020 and I suddenly had a desperate urge to capture and make sense of everything that was happening.

The notebooks I filled between April 2019 and August 2021.

Over three years later, they are still a daily habit! And I have no plans to ever stop. Even Tom is now doing Morning Pages, as he's seen the benefits it has had for my creativity and productivity, and he wanted in!

A journalling prompt for you, perhaps?

I call my morning journalling ritual “my pages” but I don’t think they’re Morning Pages in the strictest sense - they are not truly stream of consciousness (though sometimes they are) nor are they a considered, thoughtful setting down of what has happened in the previous 24 hours. I’d say my daily “pages” are somewhere in-between the two. That works for me.

Indeed, as Julia Cameron says herself, there’s no wrong way to do Morning Pages. Doing them is what’s important.

Alternatively, you might prefer reflective journalling at the end of each day. Helen Garner, possibly Australia’s most famous diarist, once said in an interview that, as she lives alone, she liked the evening ritual of just setting down a few thoughts on “how things went today”. I occasionally write in my journal in the evening too, I especially like to do a gratitude practice (see further).

Why do it?

Why do anything? Because you want to.

Because it brings you joy, clarity, calm, purpose.

Because it helps.

I do it for the same reasons I write in general - to figure out what I really think and feel, to work out what’s really going on. To remember things I don’t want to forget.

A momentous day indeed!

Posterity is a great reason to keep a journal. I have not had the heart or nerve to read any of my journals prior to 2006 (there aren’t many but I know they’re most likely incredibly embarrassing!) but I quite enjoy looking back through my more recent notebooks, even though Julia Cameron warns you not to read back through your Morning Pages in case it impedes you and wakes up the inner critic. I’ve not found that to be the case, yet.

I’ve come to realise that as great as it is to record the momentous occasions in life in writing (see picture!), it’s the random thoughts and the details of everyday life, as I was living it then, that I most enjoy having access to, thanks to regular journal keeping. Suddenly, the details are so clear. It’s like being back there.

I have at least five notebooks each for the last three years alone, but back in London it would usually take me a year to fill just one. Life was so hectic then. I wrote as much as I could but I wish I had written more. I was so convinced I would remember everything.

So now, I write every day. The most basic, mundane stuff. Because one day, it won’t be.

Ideas for getting started

Morning writing

As detailed above, I think making the ritual of journaling first thing in the morning, with your cup of tea or coffee, is a great way to start making it a habit. You will start to really look forward to it. It can be Morning Pages in the truest sense, just stream of consciousness until you’ve filled three pages, or more considered ordering of your thoughts. It’s up to you!

Gratitude journalling

This is also a lovely practice to get in the habit of, particularly if you want to change your mindset to a more positive one. Recognising your life’s many blessings, however small, can really help give you perspective. You don’t have to fill three pages if you don’t want to (though it’s easier than it sounds). You could just write five things that you noticed or that happened today (or yesterday, if you’re writing first thing in the morning) that you’re grateful for. I try to do this as an evening practice as well as my Morning Pages.

Travel journalling

Travel is a wonderful excuse to buy a lovely notebook (maybe in the place you’re visiting?) and start setting down what you get up to each day, the people you meet, the sights you see, the thoughts you have being away from home and everything familiar.

Prior to my current daily pages habit, the most prolific I had ever been with journalling was my solo trip around North America and my first few months of living in London in 2007. Every day, every hour sometimes, held new and wondrous things that I knew I wanted to capture and remember forever. There are only a few times in your life, I think, when you know you’re in some golden days while they’re actually happening, and that period of time was mine.

Dream journalling

Personally I don’t do this unless there was a dream that was particularly vivid and it’s all I can think about when I pick up the pen to do my Morning Pages. But many people do and find it useful, if not entertaining. It can be a great way to observe your subconscious at work.

Abundance mindset / affirmations

I really like doing this too, and I’d highly recommend checking out Bernardine Evaristo’s interview (and her wonderful memoir Manifesto) about positive intention setting.

Writing down the things you want to happen has some kind of magical power I’ve never quite been able to put my finger on. Recently, I was looking through a 2013 journal and found I had written down that I wanted to start putting a PhD proposal together. I was still living in the UK then so I’m not sure which university I had my sights set on, but the dream I’d had since I was a teenager was still with me. It took another six years to put a proposal together and get accepted into a PhD, but here I am, in my final year. Time is not a butler, as Austin Kleon put it. Things will happen on their own timetable. The trick is to stay open and never ignore a dream that won’t go away.

Things to remember

I’ve often dedicated several pages - usually the first or last handful of the current journal - to “things to remember”, reminders that ground me, things I find useful to hear often depending on what is currently going on in my life. If I read something in an article or book, or hear something someone says in a podcast, that particularly speaks to me, that might be helpful for me to bear in mind at the present time, I write it there.

Things like:

  • “I am always taken care of, regardless of what I believe I do or don’t need.”

  • “Other people’s karma is none of my business.”

  • “You can’t control how people behave or treat you, you are only in control of how you let it affect you.”

That kind of thing. Perhaps it’s affirmations, but it’s all useful things that I find comforting and grounding. I highly recommend this if you’re a bit like me and find your anxiety running away with you at times. It can be really handy to look at it in your over-thinking moments.

Art journalling

Sometimes, with my brush pen, I copy out quotes and lines of poems that speak to me, and embellish them with ink paintings…well, I do my best.

Or I just draw lines and patterns with the brush pen, and add phrases or single words. It’s great fun.

Lines from the poem “I Imagine Myself In Time” by Jane Hirshfield, one of my favourite poets.

Here’s my thoughts on a couple of other frequently asked journalling-related questions:

do i have to do it every day?

No, not at all. But in order to make it a habit, if that’s what you want, you’re probably going to have to get into some kind of regular routine with it that works for you.

But don’t worry, it’s normal to go through periods of not really feeling it. To be honest, I’m going through a period of that myself. In 2020, with every day being so charged with uncertainty and life changing so rapidly in such a short space of time, I kind of looked forward to writing my pages each morning. There was always something to write about!

Recently, I’ve noticed a little inertia creeping in. And that’s OK. I don’t want to give up the daily habit, seeing as I’ve stuck with it for so long, so I’m just making my peace with currently writing utter nonsense, repetitive garbled words that can barely be called prose. It’s fine, I’m not Anaïs Nin. These are not going to be published. These will just be the pages I flick past, or rip out, if I ever read it in future.

what if someone finds it and reads it?!

This is one of the things I hear most frequently and, I must admit, it has worried me in the past too.

A quote from the brilliant novel Assembly by Natasha Brown. A must read.

When I was younger, I had my journal found and read by people who I never intended to read it, who then used what was in it against me. It was admittedly a very long time ago now but I still struggle to find the words for how scarring and traumatic it was. It made me feel like nowhere was safe for my private thoughts or, more accurately, I wasn’t allowed to have them. Everything about me, even my thoughts, had to be curated. No wonder I spent so much of my early adult life doing things that felt so incongruent with who I truly was - trauma and shame kept me from using my voice’s most natural outlet. Without it, I had no idea what I truly felt, thought or wanted. I was lost, and completely at the mercy of others.

Thankfully that’s no longer the case and those lost years are just part of my origin story now. But it’s taken me a long time to own my words, to wield their power well, and to reject the idea that I am solely responsible for their impact, particularly if they’re read by an unintended audience. I’m getting there but it still takes a lot for me to write truly uncensored. Though I can’t deny, with everything that’s happened over the last year, it’s such a release when I do!

If you’ve had a similar violation of your privacy and trust, or have reason to believe such a thing might happen, please know you are not alone. I can only advise you to do whatever it takes so that you can convince yourself that your journal is your safe space. Know that you are entitled to privacy and respect, no matter who you live with or how old you are. Keep your journal in a safe place, out of sight or, if necessary, under lock and key! Alternatively, write your pages each morning on a cheap notepad, then burn or destroy them afterwards, don’t keep them. What matters most is that you have a way to express yourself.

I have small children. time for myself in the mornings? What’s that?!

The fact that my morning routine is something I am able to prioritise and do without interruption every day is not something I take for granted - it is one of the great joys of my life and helps me feel anchored and get in a good mindset for the day. I can’t speak to how to best do that if you have small children but my old blogging friend Dr Jemma has a great episode on her podcast about how to create a nourishing morning routine with kids. I think this is her updated version, as she’s recently become a mum of 4! In fact, if you’re a busy and ambitious parent, you need to subscribe to her podcast!

My friend Katie Parker, who also specialises in supporting mothers of young children with their business goals and life balance, has some wonderful resources on her social media and has spoken often about the benefits of journalling.

published journals I love and would recommend

  • The Diary of A Young Girl by Anne Frank (the one that started it all for me, aged 10!)

  • I devoured the diaries of Anaïs Nin as a teenager but have not read them for many years now. They are a classic of the genre, as she was such a pioneer in terms of writing that walked the tightrope between public and private. Not for the faint-hearted. This LitHub article is a great introduction!

  • If you’re a fan of New Zealand writer Katherine Mansfield, her journal is worth reading.

  • Nigel Slater’s The Kitchen Diaries trilogy are all wonderful - the first is probably my favourite. I do long write something similar one day.

  • Stephanie’s Journal by Stephanie Alexander (out of print) - again, a lovely blend of food and life, documenting the year 1997 which turned out to be quite momentous for one of Australia’s most loved and respected chefs and food writers. Worth looking out for secondhand or in an op shop!

  • Helen Garner’s recently published volumes of diaries are fascinating reading - my favourite was the final one, How to End a Story. She is so crisp and devastating in her observations. I don’t think I will ever have her brevity!

  • Beverley Farmer’s A Body of Water - perhaps not strictly a journal exclusively, but an interesting mash-mash of journal entries and short stories alongside essays on the writing process. I loved it!

  • Sylvia Plath’s journals are a bit of a creative touchstone for me - I think they’re essential reading for anyone interested in her life and work.

  • A Notable Woman by Jean Lucey Pratt - a remarkable volume that spans almost the entirety of Pratt’s life, from 1925 when she was a teenager to her death in 1986. Writing that is surprisingly intimate, frank and fresh.

  • The diaries of Nella Last are also fascinating reading if you’re interested in life during World War Two - Nella was “Housewife, 49” who contributed diaries to the Mass Observation Project.

  • Modern Nature by Derek Jarman - this is a beautiful and utterly compelling journal where Derek, living with the trauma and uncertainty of being HIV positive in the late 1980s, documents the creation of a garden that’s as visionary, wondrous and original as his art. Highly recommended.

  • My Mad Fat Diary and My Madder, Fatter Diary by Rae Earl - full of hilarity and 1980s nostalgia, but also a deeply courageous documentation of what it was like to have a breakdown as a teenager when adolescent mental health services didn’t exist.

  • Tom has been chipping away at Michael Palin’s Complete Diaries at bedtime for quite a while (in all fairness, it’s 1,952 pages!) and often reads me passages that are hilarious, deeply moving, or both.

I’m sure there’s more I’ve forgotten…..I will make additions when my memory is jogged!

So, what do you think? Are you inspired to start making journalling a habit? Let me know your thoughts!

Please note: this blog post has affiliate links with retailers such as Booktopia which means I may receive a commission for a sale that I refer, at no extra cost to you.

learn to be hurt

a-notable-woman-jean-lucey-pratt-philippa-moore

“Oh God, those wasted years! If this is ever read by posterity, let posterity ponder on this: You cannot run away from life. If you try, life will only catch you in the end, and the longer you’ve been running the more it will hurt. Learn to be hurt as early as possible, welcome being hurt; face pain, humiliation and defeat in your teens; accept them, let them go through you, so that you cease to be afraid of them.”

A few years ago I read the diaries of Jean Lucey Pratt, a lifelong diarist who also contributed to the Mass Observation project. She was my age during the Second World War and her diaries, of course, focus on those events but also her daily life and concerns, her dreams, anxieties and longings which for the most part remained unchanged by the war and all its dramas and hardships.

Despite all the upheaval of wartime, Jean was still figuring out who she was and what she wanted, and was starting to panic about all the what-ifs, missed chances and the might-have-beens.

I absolutely loved this book but this passage particularly, because I too have learned this lesson from life. It’s not an easy lesson, but an essential one. Don't run from pain, humiliation or defeat. Face them. Persevere. You're stronger than you think. 

if you want eternity you must be fearless: my favourite reads of 2016

Let's get something out in the open straight away - 2016 was a sucky old year in many, many respects and I for one was not sorry to see the back of it. This year, 2017, already feels lighter, like the heavy energy of the last twelve months has lifted. That said, there are still a few loose ends to be tied up and one of them was deciding on my favourite reads of the year and sharing them on the old blog, as has become a Phil Tradition.

I thought it would be hard to narrow down, as always, but for a change there was a clear winner....the book I was most excited about in 2016 and most enjoyed reading, in fact I enjoyed it so much I read it twice in two months, was The Museum of Modern Love by Heather Rose (Allen and Unwin, 2016).  It hasn't been released in physical form in the UK, so last September when one of my best friends was visiting, she brought me a copy over, mere weeks after release! 

The Museum of Modern Love by Heather Rose

The Museum of Modern Love by Heather Rose

Heather is one of my heroes. She has been publishing wonderful, exquisitely written fiction, for adults and children, for the best part of two decades now. Whenever someone has asked me in the past to name my favourite writers, and I listed Heather among them, nine times out of ten they wouldn't have heard of her. But this novel is getting her some much deserved and long overdue attention in Australian literary circles - in fact, it's been shortlisted for this year's Stella Prize.  (UPDATE: it won!!)

"I think art saves people all the time."

The Museum of Modern Love seems like such a simple story on the surface, but Heather Rose is in fact threading together many, multi-layered, complex themes and ideas, highlighting that simplicity is often a guise for the most complicated things, art most of all.

Intertwined with a unique exploration of art - what it is, what it isn't, how do you get it to mean something, how does the public's reaction to it influence its meaning and power - is a story about love, loss, grief, heartbreak, betrayal and, most of all, courage. 

The novel takes place against the backdrop of a real life event - the three-month performance of 'The Artist is Present' by Marina Abramovic in New York City in 2010. For those who don't know, the piece involved the artist sitting still for 7 hours a day and inviting members of the public to sit opposite her. There was no interaction in the traditional sense - no touching, no speaking - but artist and audience member sat opposite each other and held eye contact, for however short or long a time as the audience member wanted, or could bear. Many found it a very moving experience and came back again, to sit opposite the artist, and to be seen by her. 

"She watched as the final hours of The Artist is Present passed by, sitter after sitter in a gaze with the woman across the table. Jane felt she had witnessed a thing of inexplicable beauty among humans who had been drawn to this art and had found the reflection of a great mystery. What are we? How should we live?"

In The Museum of Modern Love, a fictional tale unravels about several people who find themselves witnessing, or participating, in Abramovic's performance and how it affects their lives. The central character is Arky Levin, a celebrated composer of film scores, who is grieving for his terminally-ill wife who hasn't physically died yet but, out of supposedly wanting to spare him grief, moved herself into a care facility and cut off all contact with him.  His 22 year old daughter also seems to want little to do with him. Unsurprisingly, Arky finds inspiration is eluding him. Arky somehow ends up at "The Artist is Present" and, over the course of the next three months, watches the performance unfold and various aspects of his life untangle in response. 

I loved the insight into the creative process from perspectives other than writing and acting - the visual arts, architecture, music composition. For a novel, it is a remarkable manual for artists. It even opens with Marina Abramovic's "Seven Steps" (which I now have pinned on the wall above my writing desk).

Therefore, for me, The Museum of Modern Love is almost a manifesto. Heather Rose is asking us, as we read, to think about art and how we connect with it. Connection, after all, as shown through the interweaving stories of all the novel's characters, is what matters, and art is one of the most powerful ways we can connect with each other. But it takes courage to connect, because in reaching out, in asking to be seen, we make ourselves vulnerable. That is art too. Making art is an act of courage. Therefore, live (and create art) with courage. That is the key ingredient.

This is an original, beautiful and utterly compelling novel. I never tire of Heather's writing - to me, her words are like fine wine, only improving with time.

"Art will wake you up. Art will break your heart. There will be glorious days. If you want eternity you must be fearless."

But wait, there's more

There were so many other books I read in 2016 that I loved, that gave me great comfort, that made me laugh and think, that have been consigned to shelves all within easy reach so I can refer to them again. Here are a few of them!

A Notable Woman by Jean Lucey Pratt

A Notable Woman by Jean Lucey Pratt

 

I did a lot of research for my current work in progress, which involved reading a lot of war diaries, biographies and history texts about 1940s London. The best of these were A Notable Woman by Jean Lucey Pratt (Canongate, 2015) and Millions Like Us by Virginia Nicholson (Penguin, 2012). 

Jean Lucey Pratt was a lifelong diarist who also contributed to the Mass Observation project. Her collected diaries - A Notable Woman - cover nearly her whole life, from her first diary as a child in the 1920s to her old age in the 1980s. She was my age during the second world war and her diaries of course focus on those events but also her daily life and concerns, her dreams, anxieties and longings which for the most part remained unchanged by the war and all its dramas and hardships. She was still a woman who was figuring out who she was and what she wanted, and often pondered about all the what ifs, missed chances and the might-have-beens. It made me realise that the only thing that distinguishes each decade in history is technology - the human heart, with all its wants and needs, remains the same. I enjoyed her later years as much as I did the war years. She was funny, brave and inspiring. This book was a joy to read.

Millions Like Us is also a fascinating read, following the lives of a dozen women of various ages and backgrounds and the changes inn their lives over the course of the second world war.....and, most interestingly for me, what happened once peace came. The seeds of the feminist revolution that came a few decades later were sown, but many were keen for life to resume as it was, which made things very complicated. It was absolutely enthralling to read and an impressive piece of work, I highly recommend it.

Nobody Told Me by Hollie McNish

Nobody Told Me by Hollie McNish

Another of my favourite reads of last year was Nobody Told Me (Blackfriars, 2016), a poetry collection by Hollie McNish, which has since won the 2016 Ted Hughes Award. It is a collection of stories, taken from diaries the poet kept during her pregnancy and the early days and years of her daughter's life, of being a young parent in modern Britain. To put it simply - everyone should read Nobody Told Me. Parents, people who want to be parents, and people who don't want to be parents. Those who are and do will feel some solidarity and understanding, those who don't will have their ignorance smashed to smithereens. After reading this book you'll never think 'why would you bring a child on a train at peak hour?' ever again. Hollie's voice is mesmerising, raw, vulnerable, honest, and full of joy. I applaud her and her bravery.

The Course of Love by Alain de Botton

The Course of Love by Alain de Botton

I was also blown away by The Course of Love by Alain de Botton (Simon & Schuster, 2016). Known for his wonderful works of non-fiction, this time de Botton has written a novel that follows the relationship of Rabih and Kirsten over, as the title suggests, the course of their love.

This isn't your typical novel, that's for sure. It reads like a case history in parts, like philosophy in others, and there are other sections where  the writing is very lyrical indeed. Whichever genre you think it might fit best, it is a stunning exploration of what it takes to have a successful long term relationship. I think we all know that falling in love is easy. It is the maintaining of that love over the long term, over the course of our lives, that is the real challenge. 

Basically, the Romantic notion of love is what sets so many of us up for a fall. Romance is only part of the story. We are ready for marriage, de Botton writes, when we are prepared to love rather than be loved and compatibility, he explains, is an achievement of love - it shouldn't be a precondition. 

The exploration of this particular marriage between Rabih and Kirsten covers pretty much everything - disillusionment, loss of desire, adultery, "immature rages, late-night threats of divorce, sullen silences, slammed doors and everyday acts of thoughtlessness and cruelty", as well as the loneliness and fear of being vulnerable that can be felt in long term relationships. Alain de Botton has a voyeur's eye as he zooms in on Rabih and Kirsten, going beyond their physical bodies and into their hearts and minds, where he can see everything and how their past experiences, childhood traumas, their earliest experiences of love and what it meant and how you were supposed to show it, are now playing out in their marriage.  

There are many truths in The Course of Love, some of which (having been through a divorce and now having been repartnered for nearly a decade) I knew very intimately. Some of de Botton's observations were so accurate they made me squirm a little. I highlighted a lot of passages on my Kindle version!

Ultimately, I came away from reading this wonderful, wise book feeling reassured and comforted. Human beings are complicated and no relationship is perfect. Love can be quite messy, entailing a lot of compromise, and de Botton's stance is that you can only ever really love and make a success out of a long term relationship if you are prepared to accept that your partner isn't perfect and inevitably they will disappoint you. So much of our disillusionment in life comes from expecting people (not just our lovers, our friends and families too) to be mind readers and meet our needs without our ever having to articulate them, so we need to take a bit more responsibility for ourselves and our own happiness, rather than pour all our hopes into one person.  Also, the occasional blips that you might worry about are actually far more common than you think (well, that, or Alain de Botton must have had my house bugged at some point!).

I think this book should be compulsory reading for anyone thinking about getting married. Having got divorced at 26, when I remarried at 29 I think I definitely went into it with my eyes wide open and with realistic expectations - spare yourself what I went through in my first marriage to get to that point, however, and read The Course of Love instead! 

I could go on about all the books I read and enjoyed last year - if you want to see them, and what I'm reading on a more regular basis than once a year, I am on Goodreads and you are welcome to add me as a friend! 

The best book of 2017 so far? For me, it would have to be Between A Wolf and A Dog by Georgia Blain. I read it in the first few days of January and the poetic and moving experience of reading it I hope bodes well for the rest of my reading year (it has so far). 

What was the best book you read in 2016?