musicals

at first i was afraid, i was petrified

The great Gloria Gaynor (image source)

The great Gloria Gaynor (image source)

It was November 2015, and The Latte Years had just gone to print. Contrary to what I had expected, that moment and the days and weeks that followed it, leading up to publication, were not full of excitement - though, naturally, I was excited too - but they were also full of dread, dread that seeped into my bones.

My anxiety went into overdrive and it was exhausting. I had permanent nausea for a month, so much so I bought a pregnancy test to make sure it wasn't for some other reason! I spent a lot of time in the bathroom. I felt so frightened and exposed. The book had gone to print. I couldn't change my mind now. I had kept my shield up for so many years and finally, it had been put down. The moment I'd been waiting for, to have my say, at last, was here and I felt too frightened and too weak to see it through. 

In the midst of this, Tom took me to see Jason Donovan in Priscilla, Queen of the Desert the musical in Wimbledon.

They sing Gloria Gaynor's disco classic ‘I Will Survive’ quite a few times during the show.

About five months after my first husband and I broke up, I went to a seventies disco party where there was a karaoke machine. This felt like the perfect song choice for me at the time, and I meant every word of it as I sang it. Because Glenn really did think I was the one who had missed out - that I would indeed crumble without him. And I knew that was not the case at all. 

Sitting in that theatre in Wimbledon nearly ten years later, Tom's hand in mine, feeling homesick, terrified and proud all at once, hearing "I Will Survive" again reminded me of who I was in 2006, a 25-year-old who was discovering her own strength but still so afraid of the man who had hurt her, who felt she had to stay silent and not tell him the truth or stand up for herself because she was so deeply afraid he would destroy her and never set her free if she did.

I wrote The Latte Years for that 25-year-old girl. And for every woman who has had to wait until she felt safe before she could tell the truth.

I can't sing...or can I?!

I don't know about you, but I loathe The X-Factor. Harmless light entertainment it might well be, but to me it symbolises everything that is wrong with the modern world, pandering to obsessions with celebrity and fame. So when I heard about I Can't Sing: The X-Factor Musical I wasn't sure what to expect.